In Pagan traditions, the Yule tree is often adorned with various decorations, including a topper that represents the goddess. This goddess topper serves as a symbol of fertility, abundance, and the divine feminine. It is typically crafted as a beautiful figurine or an image of a goddess, such as Gaia or Freya. This topper is placed at the highest point of the tree, signifying the connection between the Earth and the divine realms. The pagan Yule tree goddess topper is a reminder of the sacredness and power of the feminine energy, and it is believed to bring blessings, harmony, and protection to the home during the winter season. It acts as a focal point for meditation and prayer, inviting the goddess energy into the household.
It acts as a focal point for meditation and prayer, inviting the goddess energy into the household. As the Yule tree is a representation of the Tree of Life, the goddess topper symbolizes the life-giving force and the cyclical nature of birth, growth, and renewal. It serves as a reminder to honor and celebrate the goddess within and all the gifts of nature.
Witchcraft, Folklore, Polytheism
Hey! That’s wonderful! They’re surprisingly difficult to find any accurate information on!
My best resources are the article by Sabina Magliocco titled Witchcraft, healing, and vernacular magic in Italy, a less reliable article (that mixes witch-lore and folk magic all together) by J.B. Andrews called Neapolitan Witchcraft, and Carlo Ginzburg’s book The Night Battles about the benandanti in Friuli (Northeastern region of Italy).
If anyone knows any other sources feel free to list them!
Italian witch lore is very old, as there have been legends of witches in this region for a very long, accountable period. The word strega (witch) most likely comes from the Latin strix (screech owl) which witches were thought to take the shape of in the night. The practice of witchcraft is called stregoneria, a male witch is a stregone, and a female witch is a strega.
There are more legends of Italian witches in the south (particularly near Naples). One of the most famous is the story of the witches of Benevento, who convened beneath a walnut tree on a hill therein, and danced and worshiped the Devil. This tree was supposedly cut down.
There is a popular image of a witch who arises among Christian tradition in Italy, even still today. This witch is called Old Befana or Bella Befana(Bruta Befana, Bella Befana or Vecchia Befana) who is a good witch who lived alone in a small cottage. One day, three wise men knocked on her door. “Behold! The child of God is born, (yada yada) we’re going to find him and bring him gifts! Will you join us Old Befana?” Now, Old Befana was glad to hear the news and excited to meet the new babe and give it what gifts she could. However, she was not one to shuck her responsibilities so she said she would have to wait until her chores were completed. They agreed and she saw them off, before finishing her cleaning. Once her duties were completed, she packed up her presents for the babe, hopped promptly onto the broom she had just finished sweeping with, and flew out the chimney into the cold night. However, they had not told her how to find them again! Not wanting to deny the boy his gifts, she decided to give some to all the little children she passed on her way, as any might be the new born child of God. Every year on that same night, Old Befana rides out on her broom and deposits gifts for little children, in hopes that one day she will finally find the baby Jesus and give him the presents she has been holding all this time.
In southern Italy, many of the tales of witches (streghe) and folk healers (fattucchiere, or ‘fixers’) tell of the songs they sing to work their magic. Unfortunately, this seems to be all anyone knows on the subject, and I can’t find any references or information on these songs!
In lore, the witches of both benevolent and malefic natures are closely related or interchangeable with more faerie-like spirits. The Janare of Naples/Janas of Sardinia (lit. followers of Diana) are magical women said to live in Neolithic shaft tombs and are expert weavers and spinners. They sometimes intermarry with humans, but are very different from the cogas (or little cooks) of Sardinia, who are malefic witches that cook and eat their victims.
Most folk magic in Italy has died out, even in many of the rural areas. What is documented and what remains is all, unsurprisingly, Catholic magic. Much of it draws to saints, prayers, and Catholic holy tools. One name for this form of magic is benedicaria. However, much of it seems more agricultural or magical and less religious in nature. There is no point assuming this other source is pagan, because we could never prove where almost of any of it originated.
Most witchcraft you will find today in Italy, especially in urbanized areas, is of a New Age or Neo-pagan persuasion. Neo-Wicca is about the best you can hope to find, and even that is comparatively rare to that found in Great Britain, Australia, and the U.S.
In conversations about Italian magic and witchcraft, Raven Grimassi’s book Italian Witchcraft tends to come up. THIS BOOK IS UTTER BULLSHIT. HOGWASH. STUFF AND NONSENSE. It’s almost literally just Neo-Wicca with different names and some made up information. I’m not exaggerating. If you have this book, it’s better off as kindling than on your bookshelf. Just saying.
Charles Leland’s book Aradia: The Gospel of the Witches is a pretty piece of poetry, and perhaps has some truths in it, but it can never be relied upon. His source is not credible, and the information doesn’t add up well. It is a beautiful book, but not an accurate account of Italian magic or witchcraft.
Here are a few blog posts I have made relating to Italian witchcraft and folk magic:
My grandmother wasn’t a warm woman. She had seven children and dozens of grandchildren — and she brutally picked favorites. The fear of God led her to judgment and cruelty in many ways, and we were not close for many reasons. As a child, she didn’t hold me in her lap or stroke my hair or care for me. She visited, we made dishes and dishes of food, she told me I was too skinny, and she sent me scapulars and bottles of holy water. She also warned me about the Devil and told me ghost stories. They were violent and strange and they haunt me today — the man who killed himself in her basement. The child swinging on a chandelier. The old woman dressed in black who came in and out of the house.
This pagan tradition fosters a deep connection with the Earth and the sacred feminine, encouraging individuals to embrace their own divine essence and to cultivate a harmonious relationship with the natural world..
Reviews for "The power of the Pagan Yule tree goddess topper in modern times"
1. Mark - 1 star
I was extremely disappointed with the Pagan yule tree goddess topper. The quality of the material was very poor and looked cheap. The colors were dull and faded, making it look like a cheap knock-off. The craftsmanship was also terrible, with loose threads and uneven stitching. Overall, it was not worth the price I paid and I would not recommend it to anyone looking for a high-quality tree topper.
2. Emily - 2 stars
I had high hopes for this Pagan yule tree goddess topper, but it fell flat. Firstly, the size was much smaller than anticipated, barely noticeable on my Christmas tree. The colors were also nothing like what was advertised. Instead of vibrant and eye-catching, they were pale and washed out. The overall design lacked detail and the fabric looked cheap. For the price I paid, I expected something much better.
3. Sarah - 1 star
The Pagan yule tree goddess topper was a complete disappointment. The image online made it look majestic and beautiful, but in reality, it was poorly made and unimpressive. The material felt cheap and the colors were not as vibrant as pictured. It was also a pain to attach to the tree, with flimsy and ineffective mechanisms. I regret purchasing this topper and would not recommend it.